In our latitudes, contemporary music has traditionally advocated exclusive writing: outside of the score, there is no salvation - or at least, no work worthy of the name. However, the creations of many of today's musicians shun notation, and abandon the staves to seek other ways of transmitting, propagating and sharing themselves. Improvisation, electronics, graphic score, transcription, aleatory or intuitive music... This dossier explores all these avenues.
File WRINTING MUSIC?
30.11.2022
The imperative of the present
Insights
30.11.2022
Beyond writing
Insights
29.11.2022
Playing in between with Loïc Guénin
Interviews
29.11.2022
The written and the improvised: a journey in mixed waters
Testimony
29.11.2022
A modest opera by Myriam Pruvot: from stage to podcast
The Factory
29.11.2022
The becoming-sound of music
Lighting
28.11.2022
Transcription : the temptation of fidelity
Highlights
29.11.2022
Fixed/unfixed : true or false problem in the jazz field
Eclairages
30.11.2022
The melodic itinerary of Kudsi Erguner
Interviews
29.11.2022
INSUB META ORCHESTRA, the sound community
Interviews
28.11.2022
The ephemeral scores of Mickaël Bernard
Interviews